B1 Recordings GmbH (Berlin)
Asserts rights in particular sound recordings used in a Reel, TikTok, story or Short — typically on commercially used profiles. In Austria so far the most frequent case from this quarter.
Have you received post from IPPC LAW Rechtsanwaltsgesellschaft mbH (Berlin) demanding that you licence a sound recording from a Reel, TikTok or video retrospectively? IPPC LAW acts for a whole range of rights holders — among them B1 Recordings GmbH (Berlin) and the producers of the Christmas track “Wonderful Dream (Holidays Are Coming)”. The demands often sit in the typical range of €3,000 to €10,000 and are frequently excessive against the background of the actual use. What matters is the right strategy, so that you pay as little as possible and the risk of a claim stays as low as possible.
JUVE Ranking IP/IT Ranked 2025 — IP, Trademark & Copyright Law
AI Awards 2024 Leading Civil Litigation Lawyer of the Year — Austria IPPC LAW does not act for a single rights holder. The letterhead is always the same firm — who stands behind it changes. That makes little difference to your starting position, but a good deal of difference to the right response.
Asserts rights in particular sound recordings used in a Reel, TikTok, story or Short — typically on commercially used profiles. In Austria so far the most frequent case from this quarter.
The Christmas track by Melanie Thornton. The producers, lyricists and composers named are Marc Klammek (artist names “Mitchell Lennox”, “Marc Lennard”) and Florian Richter (artist names “Julien Nairolf”, “Judge Flow”). The track is placed under millions of TikToks and Reels during Advent — the letters follow afterwards.
British label for which IPPC LAW has also been acting since 2026.
US rights holder, same mechanics, same letters.
Two further labels among the firm's clients.
What is demanded is a cease-and-desist undertaking and a retrospective licence payment, usually with a short deadline — in the letter before us, only one week. Once the post has travelled, often only one to three days remain. The letters are based on the argument that the platform's music library does not cover commercial use. It is precisely that gap which is pursued systematically.
The Christmas song by Melanie Thornton can be selected from the music libraries of TikTok and Instagram and is used millions of times during Advent — by hotels, restaurants, shops, medical practices, clubs and self-employed people who think nothing of it. IPPC LAW pursues these uses for the rights holders consistently and has already obtained preliminary injunctions before the Berlin Regional Court. In Austria we see demands from around €5,000 upwards even for comparatively limited use. The upper end is open, depending on reach and use; in Germany demands well into five figures are documented.
At first glance the sums look like a flat rate, and the period of use is often what is relied upon above all. In our view the reach of the post, the number of views and likes and the commercial character of the posting play an equally decisive role. That is precisely why, with every letter, we examine in particular whether the amount claimed matches the actual use — because against that background the sums demanded are frequently excessive.
Anyone who sets a Christmas posting to music from the platform library should delete the post once it becomes uninteresting in January anyway, rather than simply leaving it up. That lowers the risk of receiving post years later.
An IPPC LAW letter often comes with short deadlines and can trigger cost risks. The enclosed cease-and-desist undertaking should therefore never be signed unchecked. We keep the free initial assessment clearly separate from any further legal work — that only follows if you actually instruct us after the conversation.
You call, we take the time for a short general assessment — how plausible the demand is, the rough range and how urgent action is.
The initial assessment is free and without obligation. Only then do you decide whether to instruct us.
Once instructed, you send us the letter, the link to the Reel or video concerned and the background to the publication (commercial? reach? how long published?). On that basis we examine whether the claim is justified, in particular the amount, and the strategic room for response.
In many cases a modified cease-and-desist undertaking is the commercially smartest route. It removes the risk of repetition. In parallel we settle on the best strategic response to the payment demand — matched to your actual scope of use and your appetite for risk.
The aim is to settle the matter quickly, as cost-effectively as possible and out of court. If, contrary to expectations, the other side does turn to the courts, we represent you with decades of litigation experience — from interim injunction proceedings through to full court proceedings, through every instance if need be.
We don't promise outcomes — that would not be serious. What we can tell you: from our experience with numerous letters of this kind, the demands can usually be reduced significantly.
Initial assessment by phone: free of charge. Review of your cease-and-desist letter, including discussion and options: flat fee of €200 net. If you then instruct us to act: hourly rate of €380 net — in our experience often around 2 hours, covering strategy, the cease-and-desist undertaking and the response to the other side. If a claim has already been served, the effort depends on the proceedings.
From our practice: retrospective licence demands of €3,000 – €10,000, with B1 Recordings in a similar range to the other rights holders. In Austria we see demands from around €5,000 upwards even for comparatively limited use, the upper end open depending on reach and use. Against the background of the actual use frequently excessive — what matters is the right strategy.
To pay as little as possible and minimise the risk of a claim. Which route gets there — a modified undertaking, a wait-and-see defence or targeted counter-arguments — we decide together with you.
Our fee plus the sum you ultimately pay is as a rule noticeably below the original demand — particularly where use was limited and the opening demand was high.
B1 Recordings is not the only sender of such letters. For the broader picture — platforms, mechanics, other rights holders such as SoundGuardian GmbH — see: Music cease-and-desist letters on social media.
Read on: Music cease-and-desist — overview · Copyright cease-and-desist letter
Pick up the phone — we'll discuss your options straight away. A first assessment costs nothing. On business days we react quickly, within 24 hours at the latest.